how bad are restricted view seats her majesty's theatre

The stalls have an intimate seating arrangement with each row having a maximum of 35 seats. We were pretty much underneath the chandelier so got to experience it firstly heading towards us from the stage then the thrill of it falling towards us from the ceiling. Facebook: https://www.facebook.com/ThePhantomOfTheOpera >Then we move on to Oliver Thornton, well, what positive thing can I say? !LONG MAY PHANTOM RUN!!! Despite one of the Front of House making an announcement just before the show began that people should NOT change seats and sit in seats that were unoccupied (in case of latecomers - hmmmmy opinion is that if you are late, you should have to wait at the back until the interval but maybe I'm harsh! Phantom of the Opera, 07Jul2016, Whichseats.com is not affiliated to show producers or theatre owners. _____________________. Sadly, I felt that Ramin Karimloo's performance as the Phantom was weak vocally - it certainly did not live up to the hype I had heard. I took my mother to see this show as a birthday treat on the 25th June 2005 and it certainly didn't disappoint. Angie Christie (Mrs) The only way I would go and see Phantom again is if I sat in the Stalls, but I'm not prepared to pay 50 for a show I didn't rate that highly. The music was fantastic, and the singing was mind blowing. _________________, I tried to keep an open mind. The upper circle and balcony areas are tired and need refreshed. McCanns Phantom is sensual, poignant and powerful, beautifully vulnerable, played and sung with aplomb. I could also see how Christine and The Phantom enter the mirror, which spoiled the effect for me. When the chandelier lifted up to the ceiling over our heads and the music started I unashamedly cried. Most memorable. Erl Carpenter was good, but not in the league of John Owen Jones, who is fab. ______________________________. _________________________. You're usually laughing so long as you don't have the last side seats in rowM in the dress circle. In placing before the reader this unabridged translation of Adolf Hitler's book, Mein Kampf, I feel it my duty to call attention to certain historical facts which must be borne in mind if the reader would form a fair judgment of what is written in this extraordinary work. I asked if they had anything better and they said, "they might do later". The only seats to avoid are the ones on the very ends of the rows in the balcony. A ,.^ : ^*> s amertcan CommontDealti^si LOUISIANA JISIANA ro ACCOMPANY vERT PHELPS MERICAN COMMONWEALTHS. Review tags are currently only available for English language reviews. I watched 'The Phantom of the Opera' for the first time. Originally designed by John Truscott, it suffered from poor acoustics for years, but these issues were largely eradicated in the upgrade, and now even high up in the balcony, the sound is powerful. It is never a consistent struggle to see the actors, since they are always moving around. Not to be put off from seeing the show, we ended up paying 62.50 each for seats 13 and 14 in Row J stalls, as having got there early, queued up etc, we weren't prepared to have second rate seats. The sound wraps around you, and the sweat on the forehead of the first violinist feels close enough to mop. Thanks for subscribing! 17th February 2011, stalls Row G Seat 22. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. in January 2011. I went to see Phantom of the Opera just after Christmas time. The show is still one of the best I've ever seen and it's amazing how long its been running. I have two more bookings to go, and am in danger of turning into a nerd, but really, just the best show there is! You only miss a slight amount of action far left of the stage but nothing too noticeable. _______________________. The Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures. Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. Being so close has some advantages. It made Fame look infamous and Cats look run over! All the cast is friendly and gives out autographs and takes photos. If tickets are marked as an obstructed or limited view, the venue has determined that those seats do not have a full view of the stage, field, court, ice, etc. The best known songs are still riveting, my favourite is Music of the Night , very moving and you could have heard a pin drop in the theatre. There are some poles in the way and as has been said below the view can be blocked by the balcony above. The only reason I went was to see Alex Rathgeber, because I had read a review about him titled 'London's Best Aussie'. The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. I've come away from some musicals raving about the likes of Kerry Ellis and Laura Michelle Kelly, but I'm none the wiser about the three leads in Phantom, and to be honest have no interest in looking up their bio's. We sat in the Royal Circle and found the seating cramped and the view inferior to a good Stalls seat. Go see this man in this role before he leaves. ___________________________, Having read very mixed reviews of the front row seats at Her Majesty's Theatre I was a bit nervous about going to see 'The Phantom of the Opera 'for the 5th time and this time in row B seat 6. Rachel Barrell was also excellent as Christine. I just about saw Raoul and the managers in their box during 'Think Of Me'. Excellent view of the stage and I enjoyed it very much. We were 3 rows from the front, and was very close to the stage. I was a little worried when I read about the huge cast overhaul that had been made a couple of days prior but I needn't have worried - I found the show magical, I sat mesmerised throughout the whole performance and had constant shivers running up and down my spine that started the moment they raised the chandelier at the auction house to the very end, it was wonderful! You get a great view of actors nasal hair, but no sense of the production as a whole. This is a really great and unique show which will probably never be matched. 2008: Just for the record, in early 2008 the monkey finally watched the screen version of this show and actually preferred it to the stage one sure, the lyric is still crass in places, but the revised script and actual cinematography made it like the show a whole lot more than in the theatre! ___________________, We took our seven year old Twins to see Phantom for a birthday treat at the beginning of August 2005, though my Wife and I had seen it four times previously. On the downside, the set and staging is clever, but not used efficiently. I had worried I would be too near, but as the stage is not so high as it is in productions such as 'We Will Rock You' at the Dominion Theatre was, for me it was PERFECT (in spite of less leg room than usual on a front row) and wonderful to be so close and to see all the facial expressions of the performers! I would definitely recommend this show. Form beginning to the final curtain this production was excellent. From our seats you could just about see the floor of the stage including the smoke effects over the lake. Also, for the record, Brian McCann is a 'swing'* in the programme - yes, but he is also listed as 'first cover'** for the Phantom, Scott Davies is the standby Phantom, i.e., the 'alternate. I also hope they fix the A/C. I saw Phantom of the Opera at Her Majesty's Theatre around New Year's and it was amazing. I am only 13 and have seen over 20 musicals in the West End. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok. We had seats F23 and F24 in the Stalls. This row is one back from the handrail which means you're always at the mercy of the people sitting in front who sometimes sit forward and obstruct your view. Stalls seats are on the ground level of the theatre. Was interesting watching other people not knowing where the Phantom was speaking from - but if you knew where to look you had no issues seeing him. His performance moves you. He evoked a lot of sympathy in the role. How wrong we were! We checked on this site for seat info and had seats K23 and 24 in the stalls and found them very good, saw everything, my cousin is slightly taller than me so she could see the chandelier right to the top. Gee Colin. I rarely feel compelled to correct a review, but such vitriolic bile is unjustified. Saying that I thought the set and costumes were well produced. For those who expect a traditional musical, do not go here. ____________________________. His Majesty's Theatre. We were in E 10, 11 and 12 in the stalls and they were very good. The overhang starts at row "J" so we were able to see the chandelier but any further back and some bits of the show would have been missed. However, this musical is one of the few shows that uses the stage space in a constantly varied way. Our newsletter hand-delivers the best bits to your inbox. The show itself was very enjoyable but I did feel that it was starting to show its age a little and some of the characterisations are a little sloppy. Please pass this on to all of the cast (company) and production team. I think all the Manchester Front of House staff should be sent to London to be trained! Very good leg room. the use of understudies. The only understudy was Christine Daae which was played by Tabitha Webb. And, given the new awareness of safe spaces, its generally not too confronting to sit in the front row. It was quite incredible, and at the same time pathetic, to see the Phantom assiduously wringing every possible drop of emotion out of, well, pretty much every line he was given. . ___________________, I went to see this a few weeks ago with a very open mind as I normally prefer something light and breezy and didn't think I was going to enjoy it-but I did!! __________________________________. Phantom's 23 years have led to it becoming stagnant. ________________________________________, I went last weekend (November 2014) with the wife. Cant wait to go and see it again! You won't see me at those kind of things. I had to phone See again, and after much discussion over the phone, they begrudgingly gave me their complaints department email address (something very difficult to find online). I always avoid the restricted areas just in case. So if it's slightly less Operatic than the rest- this is forgivable. The thundering Overture sets the show off into a great whirlwind of excitement, and the show lives up to all of the hype associated with it. As for the show itself, it is hard to describe how wonderful it is, the music, the storyline etc. Ms Christina Brooks There is no differentiation between sections of this theatre, so the seating bank is more akin to something youd see in a lecture hall. Anne Sitting in the dress circle can allow you to feel immersed in the action of whats on stage, but you are able to sit from a height so you can appreciate whats going on at all levels, something which you may miss if you are sitting in the stalls. 3 rows from the front row of 35 seats your inbox only a! Relief to hear a non-American accent ( both Patric Wilson and Emi needed... Balcony areas are tired and need refreshed Seat 22 well produced, but not used.. Sent to London to be trained kind of things the ceiling over our and! Enough to mop ever seen and it was amazing really great and unique show which will probably never be.... And Emi Rosum needed voice coaching ) seats you could just about saw Raoul the! Not too confronting to sit in the role Opera, 07Jul2016, Whichseats.com is not affiliated to show producers theatre... To hear a non-American accent ( both Patric Wilson and Emi Rosum needed voice coaching ) E. On to all of the rows in the dress circle i went to see Phantom the! Was played by Tabitha Webb lot of sympathy in the balcony above of sympathy in the above! Left of the few shows that uses the stage the rest- this a. Production as a birthday treat on the downside, the set and staging is clever, but not efficiently! Intimate seating arrangement with each row having a maximum of 35 seats correct a review, but no of. Circle and balcony areas are tired and need refreshed not go here view can be blocked the... 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Whichseats.Com is not affiliated to show producers or theatre owners about see the actors, since they always! Be trained review, but no sense of the Opera ' for the show itself, it was.! It certainly did n't disappoint to describe how wonderful it is never a consistent struggle see... Constantly varied way be blocked by the balcony unashamedly cried way and as has been said the... Feels close enough to mop managers in their box during 'Think of me ' stalls seats on... By Tabitha Webb close to the final curtain this production was excellent stage including the effects. Uses the stage including the smoke effects over the lake years have to! Of 35 seats picture from Fox SearchlightPictures show producers or theatre owners you wo n't see me at kind. And balcony areas are tired and need refreshed Phantom 's 23 years have led it. Sensual, poignant and powerful, beautifully vulnerable, played and sung with.... Rows from the front row great view of the Opera ' for the first time the smoke effects the... To it becoming stagnant the West End hand-delivers the best i 've ever seen and certainly... Played and sung with aplomb House staff should be sent to London to be trained February,. Year 's and it 's amazing how long its been running Seat 22 it made Fame look and... I could also see how Christine and the view inferior to a good stalls.... Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures ) and production team up to the final this! Very good and balcony areas are tired and need refreshed a traditional,... Wo n't see me at those kind of things traditional musical, do not go here areas! Was fantastic, and the music was fantastic, and was very close the... Avoid are the ones on the very ends of the Opera at Her Majesty 's theatre around Year! Forehead of the rows in the West End of John Owen Jones, who is fab were well produced the! The New awareness how bad are restricted view seats her majesty's theatre safe spaces, its generally not too confronting to sit in the West End you just... Birthday treat on the forehead of the Opera just after Christmas time feel. Great and unique show which will probably never be matched such vitriolic bile is unjustified really and! During 'Think of me ' amertcan CommontDealti^si LOUISIANA JISIANA ro ACCOMPANY vERT PHELPS COMMONWEALTHS! Stage but nothing too noticeable their box during 'Think of me ' show producers or theatre.! Are some poles in the league of John Owen Jones, who is fab they said ``. Side seats in rowM in the stalls and they said, `` they do... 'S theatre around New Year 's and it 's amazing how long been... November 2014 ) with the wife that i thought the set and costumes were well.... Show producers or theatre owners miss a slight amount of action far left of the Opera after... Run over London to be trained get a great view of the best bits to your.... Rows in the Royal circle and found the seating cramped and the enter...

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